American Fibertek MR-2800E Bi-Directional Video / Audio Module Receiver
SKU
MR-2800E
Model No
MR-2800E
was $1,067.82 Special Price $988.00
Product Highlights
- Compatible with NTSC; RS - 170A RS -343A and PAL
- Diagnostics: Video, Power and Optical Presence
- Full Color Transmission
- Real Time Video Transmission
- Modules or Rack Cards

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The American Fibertek 2800E Series transmits high-quality two-way video and simultaneously bi-directional 4 wire audio on one multimode optical fiber up to a distance of 10 km. Designed to be completely transparent to all camera and monitor manufacturers, this system requires no field adjustments at installation or additional maintenance thereafter. Diagnostic indicators provide a quick visual indication of system status.
American Fibertek MR-2800E Camera Features
- Compatible Formats: Works seamlessly with NTSC, RS – 170A, RS – 343A, and PAL, ensuring broad compatibility with various video sources.
- Diagnostics: Includes video, power, and optical presence indicators for immediate system performance verification.
- Full Color Transmission: Delivers vibrant and true-to-life color for enhanced video quality.
- Real Time Video Transmission: Provides instantaneous video feedback with no noticeable delay, ideal for live monitoring.
- Modular Design: Can be configured as modules or rack cards to suit your installation needs.
- PFM Transmission: Utilizes Pulse Frequency Modulation for superior video performance and reliability.
- Full Dynamic Range: Ensures no dead zones in the signal for consistent quality throughout the transmission.
American Fibertek MR-2800E Detailed Specifications
Transmission Type | Bi-directional Video/Audio |
Distance | Up to 10 km |
Operating Formats | NTSC, RS – 170A, RS – 343A, PAL |
Power Indicator | Yes |
Video Indicator | Yes |
Optical Presence Indicator | Yes |
Color Transmission | Full Color |
Latency | Real Time |
Form Factor | Modules or Rack Cards |
Transmission Technique | Pulse Frequency Modulation (PFM) |
Dynamic Range | Full Dynamic Range with No Dead Zone |
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